Tag: scifi Page 1 of 2

Love Death & Robots

Finished up Netflix’s “Love Death & Robots” last night, and I am so sad to be done with it! It was phenomenal! Sure, some low points like the awkward uncanny valley and bad lip syncing of “Beyond the Aquila Rift,” the ridiculous and unbelievable ending of the otherwise very well-done and promising “Shape-Shifters,” but otherwise, what an amazing collection! All three based on John Scalzi stories were hilarious and so well done, “Suits” and “Zima Blue” just about had me crying…

I’ve seen some articles comparing “LD&R” to “Black Mirror.” Uh, that’s kind of a stretch. OK, they’re both anthology series, and both are SF, but that’s where the similarity ends. Sure, while ALL scifi is actually about the here and now, about critiquing our current culture or events, “Black Mirror” has a very specific “Twilight Zone-esque” focus on the estrangement of technology and human empathy, of almost didactic themes of how much technology fetishism threatens our humanity (and, in rare occasions like “San Junipero,” how it can help bring us together! If in a bitter-sweet way).

Whereas “LD&R” is absolutely more in the vein of “Heavy Metal” (the magazine), which is more eclectic and less cynical, more celebratory or pulp, and focused on the art of the medium.

Anyway, great stuff!

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Why you should research a bit before you write

(photo is Aaron Siskind's)

(photo is Aaron Siskind’s)

So during my writing retreat yesterday, I wrote a chapter involving a character in an escape pod that’s tumbling through space. A not bad chapter for a first draft, I think.

But I used my uneducated assumptions about what the occupant would or wouldn’t feel, perceive, of a tumbling craft in space, to create some tension and drama, and drive the plot forward. What I thought I knew, I made important to the action and actions further in the book. I did this without researching first the reality of the situation — and I was wrong.

Why did I do this? Usually I research things before I write about them, at least a little bit. Well, I did promise myself yesterday that I would just get words on the page and not worry about anything else, I would keep myself offline and away from distractions. Which, in that sense, worked. I got a lot of writing done.

But now, having researched today (I’ll share the Reddit post I made on my Patreon feed, and the chapter draft itself to patrons at that level), I realize I absolutely can’t have it work that way and will need to rewrite the chapter and plan different later events.

Part of me wonders, can’t I just fudge it? I mean, I’m not writing hard SF, it’s an adventure story. I’m already doing impossible things regarding faster-than-light travel (of course, that’s a necessity in any SF story that’s going to take place beyond our solar system), how dark mater works (probably), space-time, relativity. . . . But, the thing is, a lot of that is mostly theoretical fields and the fudging has been necessary to even have a space adventure story at all! Otherwise, I’ve been pretty good at keeping with the integrity of classical physics: the danger of high-velocity objects in space, what exposure to space really does (or doesn’t do actually) on a person, etc. Whether or not a person inside a tumbling pod in space tumbles with and how, on the inside of it, falls right smack in the middle of basic classical physics. Like, junior high centrifugal and centripetal force, basic.

Well, I guess I have no choice. I have to be logically consistent, and definitely don’t want to be scoffed at by readers who paid attention in school, or have essentially ever ridden in a car. I better get creative. . . . (Gasp! The tragedy!)

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Neal Stephenson, Seveneves, and envy

Neal StephensonI didn’t get to ask the question I wanted to. A question I’ve wanted to ask him for years. Alas.

Continuing the amazing roll of meeting favorite authors since moving to Portland, tonight I saw Neal Stephenson at Powell’s for the release, on this day, of his new novel, Seveneves. He read a portion (very witty), and he spoke a bit about the inspiration of the novel,being 10 years in the making. He explained that part of what took so long is that in order to make a convincing “ark” story, you needed to have an apocalyptic event that’s urgent and soon enough that there’s no time to solve the cause of the doom, but not so impending that there’s no time to build a humanity-rescuing ark ship. And, a doom that’s absolutely certain and not deniable by some, “like… climate change.” *grin*

He took questions, and fortunately, no one in this store full of geeks and nerds, did anyone feel that now that they had a microphone, they needed to soliloquize for 10 minutes before, maybe, getting to a question. Everyone was succinct and interesting.

Yet, time ran out before I could ask mine.

So, here it is, and if anyone knows Neal Stephenson, maybe you can pass it along: “This is going back a bit, so my apologies if it’s a tired question, but, Cryptonomicon appears to be set in our, ordinary world. And yet, there’s clues* that it’s not quite the world we live in. How would you describe the world in which the story of Cryptonomicon is set?”

Like I do for Cory Doctorow as well, I harbor a great deal of envy for Neal Stephenson’s speaking ability. While Cory speaks fast and clipped, and Neal speaks in a measured and easy pace, both are so incredibly eloquent, well-spoken, clever, funny, and without an instant of affectation (“uhm,” “uh”) or stutter or hesitation. I so wish I had such presence and extemporaneous speaking skill. *sad pout*

As for my fandom of Neal, it started when I read Cryptonomicon back around when it first came out, around 2002. I knew of his most famous (post?)cyberpunk novel, Snow Crash, but had never gotten around to reading it until after I got past the mindnumbing haze of finishing the other brilliant and odd and educational and fascinating novel. Snow Crash is a bit weird, irreverent, quirky, and creates a near-future world that’s essentially a libertarian paradise — with all the problems that presents. Quicksilver soon followed, although I never picked up the sequels. I started reading the challenging and maybe too-clever? Anathem, but it’s a tough read, even for someone like me who loves when people play with language and linguistic development. It’s actually sitting on my desk right now; I do intend to finish it.

11262451_485174241632825_8738845372095469386_nNow, I’m going to dive right into Seveneves while the flame is burning bright!

*clues: Everyone at all times in the novel refers to Japan as Nippon, regardless of ethnicity or language, not just the native Japanese speakers. He created a British country off of England that spoke a consonant-heavy language that could have been Wales, or Isle of Man, but his own creation instead. Why, in an otherwise perfectly normal our world, would he do these things, unless he wanted a world that was only a couple degrees off? To what purpose?

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Podcast 008: Singularity Deferred, chapter 6

Please see podcast episode 3 (http://www.tragic-sans.com/2012/03/27/podcast-003-singularity-deferred-chapter-1/) for background on this podcast and the reading of this novel.

At the time of this podcast release, a Kickstarter should be running to help fund the publishing and distribution of the novel. (http://www.kickstarter.com/projects/1696794878/singularity-deferred-a-novel)

The complete audiobook will be published for free on Podiobooks, probably coinciding with the end of the Kickstarter and the beginning of the hardcopy publishing.

For more information on this novel, now and in the future, including a text/ebook sample, see the page: http://www.tragic-sans.com/singularity

Thanks for checking it out — hope you enjoy!

(Theme music:

“Cybernetic -Feat Zefora” (Stizreth) / CC BY 3.0

Intro music: “Oxygen Garden” by Chris Zabriskie
CC: Share, Non-Commercial, Attribute
http://creativecommons.org/licenses/by-nc/3.0/
http://www.archive.org/details/Divider-10058)
Podcast feed: http://www.tragic-sans.com/feed/podcast

 

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Podcast 007: Singularity Deferred, chapter 5

Please see podcast episode 3 (http://www.tragic-sans.com/2012/03/27/podcast-003-singularity-deferred-chapter-1/) for background on this podcast and the reading of this novel.

At the time of this podcast release, a Kickstarter should be running to help fund the publishing and distribution of the novel. (http://www.kickstarter.com/projects/1696794878/singularity-deferred-a-novel)

The complete audiobook will be published for free on Podiobooks, probably coinciding with the end of the Kickstarter and the beginning of the hardcopy publishing.

For more information on this novel, now and in the future, including a text/ebook sample, see the page: http://www.tragic-sans.com/singularity

Thanks for checking it out — hope you enjoy!

(Theme music:

“Cybernetic -Feat Zefora” (Stizreth) / CC BY 3.0

Intro music: “Oxygen Garden” by Chris Zabriskie
CC: Share, Non-Commercial, Attribute
http://creativecommons.org/licenses/by-nc/3.0/
http://www.archive.org/details/Divider-10058)
Podcast feed: http://www.tragic-sans.com/feed/podcast

 

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Podcast 006: Singularity Deferred, chapter 4

Please see podcast episode 3 (http://www.tragic-sans.com/2012/03/27/podcast-003-singularity-deferred-chapter-1/) for background on this podcast and the reading of this novel.

At the time of this podcast release, a Kickstarter should be running to help fund the publishing and distribution of the novel. (http://www.kickstarter.com/projects/1696794878/singularity-deferred-a-novel)

The complete audiobook will be published for free on Podiobooks, probably coinciding with the end of the Kickstarter and the beginning of the hardcopy publishing.

For more information on this novel, now and in the future, including a text/ebook sample, see the page: http://www.tragic-sans.com/singularity

Thanks for checking it out — hope you enjoy!

(Theme music:

“Cybernetic -Feat Zefora” (Stizreth) / CC BY 3.0

Intro music: “Oxygen Garden” by Chris Zabriskie
CC: Share, Non-Commercial, Attribute
http://creativecommons.org/licenses/by-nc/3.0/
http://www.archive.org/details/Divider-10058)

 

Podcast feed: http://www.tragic-sans.com/feed/podcast

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Podcast 005: Singularity Deferred, chapter 3

Please see podcast episode 3 (http://www.tragic-sans.com/2012/03/27/podcast-003-singularity-deferred-chapter-1/) for background on this podcast and the reading of this novel.

At the time of this podcast release, a Kickstarter should be running to help fund the publishing and distribution of the novel. (http://www.kickstarter.com/projects/1696794878/singularity-deferred-a-novel)

The complete audiobook will be published for free on Podiobooks, probably coinciding with the end of the Kickstarter and the beginning of the hardcopy publishing.

For more information on this novel, now and in the future, including a text/ebook sample, see the page: http://www.tragic-sans.com/singularity

Thanks for checking it out — hope you enjoy!

(Theme music:

“Cybernetic -Feat Zefora” (Stizreth) / CC BY 3.0

Intro music: “Oxygen Garden” by Chris Zabriskie
CC: Share, Non-Commercial, Attribute
http://creativecommons.org/licenses/by-nc/3.0/
http://www.archive.org/details/Divider-10058)

 

Podcast feed: http://www.tragic-sans.com/feed/podcast

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Podcast 004: Singularity Deferred, chapter 2

Please see podcast episode 3 (http://www.tragic-sans.com/2012/03/27/podcast-003-singularity-deferred-chapter-1/) for background on this podcast and the reading of this novel.

At the time of this podcast release, a Kickstarter should be running to help fund the publishing and distribution of the novel. (http://www.kickstarter.com/projects/1696794878/singularity-deferred-a-novel)

The complete audiobook will be published for free on Podiobooks, probably coinciding with the end of the Kickstarter and the beginning of the hardcopy publishing.

For more information on this novel, now and in the future, including a text/ebook sample, see the page: http://www.tragic-sans.com/singularity

Thanks for checking it out — hope you enjoy!

 

 

 

(Theme music:
“Cybernetic -Feat Zefora” (Stizreth) / CC BY 3.0

Intro music: “Oxygen Garden” by Chris Zabriskie
CC: Share, Non-Commercial, Attribute
http://creativecommons.org/licenses/by-nc/3.0/
http://www.archive.org/details/Divider-10058)
Podcast feed: http://www.tragic-sans.com/feed/podcast

 

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Podcast 003: Singularity Deferred, chapter 1

In this episode, we begin reading my debut novel, SINGULARITY DEFERRED.

We’ll read only about the first 10 out of 30 chapters, one per episode, before moving on to other more diverse topics and guests. This will serve as a sample of the novel before you might buy it, or if it’s still going on, contribute to the Kickstarter to help fund its publication and distribution.

The complete audiobook will be published for free on Podiobooks, probably coinciding with the end of the Kickstarter and the beginning of the hardcopy publishing.

For more information on this novel, now and in the future, including a text/ebook sample, see the page: http://www.tragic-sans.com/singularity

Thanks for checking it out — hope you enjoy!

 

(Theme music:

“Cybernetic -Feat Zefora” (Stizreth) / CC BY 3.0

Intro music: “Oxygen Garden” by Chris Zabriskie
CC: Share, Non-Commercial, Attribute
http://creativecommons.org/licenses/by-nc/3.0/
http://www.archive.org/details/Divider-10058)

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It is finished!

More later when I’m more awake, but I just wanted to announce that I just finished the 1st draft of my first novel, tentatively titled Singularity Deferred. It’s 105,600 words long (about 25,000 longer than I anticipated), and 388 MLA-formatted pages.

I’m happy, pleased, proud… and exhausted! I’ll figure out what kind of ritual celebratory act I want to perform tomorrow; right now, I want to celebrate by sleeping. 🙂

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